Sofie Deckers is a Belgian graphic designer and scenographer based in Ghent. Her practice focuses on visual identities, printed matter and spatial interventions.

She graduated from the multidisciplinar Master  in Design, Space and Communication at HEAD in Geneva in 2020.

Mark LOREM IPSUM
Stories of Product Innovation — scenography — 2022
Scenography design for the exhibition Stories of Product Innovation at WONDER Kortrijk.

We designed an overwhelming setting that celebrates innovation and encourages wonderment. An impressive structure of ventilation ducts guided the visitors through the space and served as a support system for the various exhibited projects. The structure is visually complemented with classy velvet curtains, a powerful typography in bright red and shinny mirrors.

We overwhelmed without wasting. Once the exhibition was finished, the borrowed ventilation ducts could return to the manufacturer.



In collaboration with Manon De Cuyper
Commisioned by  Designregio Kortrijk

Sponsored by Airkan NV
Last  picture by Jonas Verbeke




Exercises in Accessibility — print — 2022
Publication design for the text by Anaïs Van Ertvelde who wrote a collection of thoughts, feelings, provocations and exhortations centred around two of the themes raised during the course of the festival: the theme of – her own - access needs; and the theme of looking at difference.

By risoprinting the main text in fluo pink, and the elaborate text in purple notes, the two storylines smoothly alternate and interact. A hybrid and fluid typeface is used to highlight titles and phrases. Vibrant gradients over the pages and a purple binding make the publication into a visual whole.



Commisioned by  Marieke De Munck

Brought into being during the festival WOMEN AND CHILDREN FIRST: Exercises in Accessibility, at VierNulVier, Ghent

Risoprinted by Topo Copy
Combine  font  designed  by Julie Patard




Paysage Sauvage — diorama,  scenography — 2021
This diorama offers s a look behind the scenes of a touristic image-forming process that derives from a colonial history. Paysage Sauvage aims to evoke a contemporary reflection on how these powerful representations of Belgium’s colonial past prevail until today and continue to affect our perception.



Created with the grant of Le Fonds cantonal d’art contemporain Genève ( FCAC )
Photography by Serge Fruehauf